These days, Michael Cochrane is a busy man.
Having just completed his fourth CD as a leader
on the Steeplechase label, the pianist/composer
finds himself shuttling between Europe and the
U.S. with "The Spirit of Life Ensemble." When on
his home turf of New York City, the veteran piano
man holds down the fort on Monday nights at the
Greenwich Village night spot, Sweet Basil, with
the Ensemble. Add to that calls for frequent side
man duties in and around the tri-state area and it
would appear that his career is reved up into
overdrive.
So why then at this time would the super active
jazz man embark on a cooperative project like
Lines=of=Reason? "I've always enjoyed the sharing of responsibility," says
Cochrane. "I actually had thought about doing something like this when I originally
moved to New York. But the normal way to go back then was to be a side man,
which most of my friends ended up doing."
Cochrane hails from Peekskill, New York, a little town about fifty miles north of New
York City. The way to go for the musically gifted Cochrane growing up during the
fifties was to start piano lessons at the age of eight. "I think that by the time I was
thirteen," he remembers, "I could play Beethoven's Sonata Pathetique, which I
actually performed at one of my teacher's recitals."
The youngster continued to perform throughout his high school years in a state of
the art band program under the direction of Vincent Corozine. It was at this juncture that the teenager got his first exposure to jazz, and in particular, to the big
band sound.
Although jazz was constantly on his mind, surprisingly the high school grad
enrolled at Boston University in the science and math department. "I was majoring in mathematics," recalls Cochrane, "but at the same time I was studying in an
after school music program at Berkeley. You could sign up for private lessons and
actually get college credit, which I did." By his third year in school, the jazz bug
had bitten and there was really no doubt as to what direction the college junior
would pursue for the rest of his life. Cochrane eventually switched majors and
would graduate with a degree in psychology. But by then he was gigging around
the Boston area and had become a regular on the local jazz scene.
He would stay on in Boston for another four years before making the inevitable
move to New York City. The relocation coincided with the beginning of a long
association with trumpeter Hannibal Marvin Peterson. During the next seven
years, the New York pianist traveled the world over with the Peterson band. They
eventually recorded One With the Wind for Muse Records.
The intervening years have seen Cochrane's artistry become more and more in
demand. But despite his grueling schedule, the time has come to seize the
moment and launch Lines=of=Reason. Performing with his comrades in a close
knit, long-term situation has irresistible advantages for the prolific composer. "It
really makes a huge difference," says Cochrane, "when you know exactly who
you're writing for their directions."
The direction of Lines=of=Reason according to Cochrane is simple and clear.
"We're going to take our concept and work through it and let it develop," he says
confidently. "It all comes down to finding your own voice-and I think that's the
truth of the matter."
FOR MORE INFORMATION ON MICHAEL COCHRANE VISIT HIS WEBSITE